![]() ![]() One way of doing this is with close reading. In such cases, it’s easiest to focus on and analyze key scenes and acts while summarizing the rest. Unfortunately (fortunately?) today’s busy schedules don’t often allow time to teach the entire play. Throw in a song or two some early Taylor Swift is always a good option, even if she does get the ending wrong (could lead to some good discussions on artistic license?)īam! “Analyzing various mediums” – check. ![]() Time permitting, watch both and compare and contrast the way both directors tackle the play. But by the end, they’re all yelling at the screen as Juliet wakes up just as Romeo drinks the poison. My students always laugh at the graphics and somewhat over-the-top theatrics and pretend they’re too cool for it. Plus, a young Paul Rudd (Ant Man to any Marvel fanatics) as Paris and Harold Perrineau as a carefree, cross-dressing Mercutio? Sign me up. The modern setting mixed with the original language makes for an entertaining mashup. (She also fast-forwarded through the wedding night scene, which, looking back, I can’t entirely fault her for). I still remember watching it in my 9th grade English class, and the outrage we felt when our teacher turned it off right as Juliet realized Romeo was dead. My personal favorite is the 1996 version with Leonardo DiCaprio and Claire Danes as the titular characters. There are countless adaptations of this timeless love story (although, should it really be held as the paragon of romance? Food for thought.)Ī quick Google search will reveal a plethora of options. Besides, Shakespeare was meant to be seen, not just read. We also know that many students are visual learners. Pointing out the side notes in the No Fear version and watching the light bulb go off as students realize just WHAT was being said between Sampson and Gregory in the first scene is always interesting. (Side note: They also have No Fear Versions of pretty much every Shakespeare play).Īlso, let’s be honest. Teaching Romeo and Juliet online? Just share the link. I do still hit some of the highlights in the original (the balcony scene just loses something in “translation”) but use the No Fear version for much of the play. If you’re not familiar with this series, it has the original on one side and the modern on the other. Perhaps the easiest way to hook and engage your students is through modern adaptations – whether written or visual. So what do we do? Keep reading for Romeo and Juliet lessons to use with low-level readers. Many of them struggle with reading comprehension to begin with, so tackling every scene of every act in the original English would be torturous for us all. Much of my experience has been in the special education resource classroom. ![]() With the wide variety of learners in most of our classrooms, that method wouldn’t work anyway. We all know, however, that students aren’t interested in just sitting through a reading – especially of something as potentially heavy as Shakespeare. 2 seconds to process WHY Juliet’s still warm? Plus, they love to call out Romeo on his fickleness and stupidity. And because many of my students have at least some knowledge of the basics, they don’t get lost in the plot – meaning we have more time to dig into the good stuff. While it’s not one of my favorite Shakespeare plays (I’m more of a comedies gal), its universal themes make it a good introduction to Shakespeare. After years of teaching it, I basically have my Romeo and Juliet lessons on lock. ![]()
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![]() “The electrocardiographic curves, however, are but the expression of the excitation wave as it passes through the heart. Alexander Lambert, who, in discussing the electrocardiograph, says (1): The need for such an instrument is expressed by Dr. Numerous attempts have been made to register the motion of the human heart on X-ray films. The name “Roentgen-ray Cardiograph” is applied to this instrument. The use of a multiple-slit plate gives a number of such waves, indicating the motion of the different portions of the heart border, and these, taken collectively, outline the entire heart. With this motion there is produced on the film a wave representing the movement of a definite portion of the heart lying above a particular slit. ![]() The heart and the slits are stationary with respect to each other so that the same heart area is always exposed in the same slit and the only motion recorded, therefore, is the lateral motion of the heart border itself. ![]() Cardiograph series#By moving the photographic film underneath the multiple-slit plate, a series of exposures are produced on the film by the impinging X-rays through each slit. ![]() A single X-ray film is made to register the motion in different parts of the heart during one or more cardiac cycles. AN instrument is here described that will make separate X-ray exposures of the different phases of motion of the human heart through slits in a metal plate opaque to X-rays. ![]() ![]() ![]() gamma., it is known, for example from the "One-chip TV processor" TDA 884X/885X-N1 from Philips, for a cutoff and drive control system designed as a two-point control system to define reference currents and reference voltages which respectively correspond to two different cathode currents, which are called the first and second reference cathode currents, I.sub.K1 and I.sub.K2, respectively, in the following text. This is subject to only relatively minor scatter for tubes with the same system design.Assuming a constant value for the characteristic exponent. For colour tubes that are known at present in the consumer area, the value of the exponent. since, from the definition of the reference voltages and currents, the "theoretical" characteristic exponent is also defined uniquely from the above equation. mu.A.Owing to the physically dependent beam-current characteristic profile I.sub.K =f (V.sub.K) as a function of the control voltage V.sub.K at the respective cathode of a colour tube, the following mathematical relationship may be used for the ratio of two cathode currents I.sub.K, based on the two-point control system: #EQU1#The described two-point control system is thus based on an "assumed" exponent. mu.A and I.sub.K2 (as I.sub.Drive).apprxeq.15. Values that may be used in practice are, I.sub.K1 (as I.sub.cutoff).apprxeq.7. Two different cathode control voltages V.sub.K1 and V.sub.K2, to which two different voltage levels of the respective RGB signal correspond, and two corresponding cathode currents I.sub.K1 and I.sub.K2 are defined as reference values-corresponding to the circuit concept used. Such a control system by means of two different reference values represents a two-point control system which, in practice, is formed by two control loops. Furthermore, there is no correction for any changes in the gain.Recent circuit concepts thus inject a further measurement line, whose amplitude is greater, into each colour channel for gain control, which is also known as drive control (for example so-called cutoff measurement lines in one field and so-called drive measurement lines in the other field, alternately). However, the control process cannot ensure that the actual black level of the signal corresponds to the cutoff points of the tube. ![]() A DC voltage offset, in practice equivalent to a brightness offset, is used to raise or lower the measurement lines for each colour channel in the event of a control error, in such a manner that the measurement currents correspond to the reference value. The cathode currents during the measurement lines are measured, and are compared with a reference value. To this end, measurement lines are injected in a sequential manner for the three colour channels, also called RGB colour channels, during the frame blanking period, and these measurement lines are normally equivalent to a relatively small signal amplitude so that the correction process is carried out to a value which comes as close as possible to the actual cutoff points of tube systems. This requires adaptation of the tube cutoff points-also called cutoff trimming-as well as a specific ratio of the cathode currents at a so-called white point, which can be achieved by means of an adjustment process which is known as gain or drive trimming.Control circuits are used in order, in particular, to keep the cutoff points of a colour tube stable, despite ageing. It is based on a colour tube in a colour television set, and on projection tubes for displaying video signals.One precondition for correct colour-video reproduction is that monochrome pictures are reproduced with neutral colours. gamma.-dependent DC voltage offset u.sub.0f to zero.īACKGROUND OF THE INVENTIONThe invention relates to cutoff and gain control for a device for displaying video signals. is defined as a function of the color tube 1. Thus, according to the invention, the exponent. or for the ratio of the two cathode currents I.sub.K1 and I.sub.K2, it is not possible to achieve an optimum result for displaying monochrome pictures. However, it has been found that, if a fixed value is assumed for the exponent. or of the ratio of the two cathode currents I.sub.K1 and I.sub.k2. of the characteristic profile and the ratio of two cathode components I.sub.K1 and I.sub.K2 may be used to form control reference values for cutoff and drive control, this process being started in each case from a fixed value of the exponent. ![]() Owing to the physically dependent exponential beam current characteristic profile as a function of the cathode control voltage V.sub.K, the exponent. Recent circuit concepts inject measurement lines, for cutoff and drive control of the cathode current, into each color channel during the vertical frame blanking period. ![]() ![]() ![]() Add your files to the ‘Rakuten Kobo’ folder using any method below: Drag-and-dropĭrag-and-drop your files into the middle of the screen.Ĭlick Upload files and browse for documents you want to upload from your computer.To add files using the Dropbox website on your computer: Www kobo com how to#
![]() ![]() The bbc motor plates listed here are 1/4" thick 6061 T6 Aluminum These aluminum front engine mount BBC motor plates also work well for street rods, hot rods, custom cars, "Pro-Street" type vehicles, mud trucks and more.įor installation information please click How to Install a BBC Motor Plate BBC Motor Plate Aluminum Front Mount BBC Motor Platesīig block Chevy motor mounting plate #CE701 shown above Aluminum BBC Motor Plate Models #TEAM Z 351W MOTOR PLATE INSTALL#Using BBC motor plates enables you to install a BBC engine into any make of vehicle. Offers a simple way to mount a different engine than what may have come in the vehicle Street and drag race vehicles, door cars, dragsters, roadsters and others. These big block Chevy motor plates work great in all types of ![]() If you are not using an original style transmission cross member, then you can install a mid plate together with the front plate. In an installation using the OEM type trans X member you can just use the front BBC motor plate in combination with the factory cross member. Most applications that use a stock OEM type transmission cross member do not require a mid plate. BBC mid plates are available in both 13 gauge mild steel as well as 6061-T6 aluminum. On this page you will also find information on our big block Chevy mid motor plates. These big block chevy motor plates make engine installation easier and quicker. BBC motor plates provide a simple way to mount any BBC engine in just about any application from a street driven Hot Rod to an all out race vehicle. Our aluminum front BBC motor plate engine mounts make it easy to install any big block Chevy engine into any Mechanical camshaft of 290 degrees of duration & 0.BBC Motor Plate Aluminum BBC Motor Plates Front Engine Mount Heads just like the Boss 302 with canted-valves Canted-valves (2.19" intake and 1.71" exhaust)Ĭompression chamber of 66-67 cc (compared to the Boss 302's of 57-60 cc)įorged steel rods - shot-peened & magnafluxed with heavy duty 3/8" bolts and nuts Compression was around 9.2 with open chamber heads and a Forged flat top piston with a single valve relief. It had solid lifters, and most of the other associated parts. It actually had a larger lift cam the 71 version, although the duration was less. but the lawyers made them change the name. #TEAM Z 351W MOTOR PLATE CODE#This engine is almost identical to a 71 R code Boss 351, and was even refered to as the Boss 351 in Ford literature. engine was a seperate engine with VIN engine code "R". Lower compression heads and hydraulic cam. For practically any application, the Ford 351 Cleveland is the performance choice with plenty of horse power and torque. Even today the 351 is an engine of choice. The four barrel was rated at 266 horsepower. The two barrel version was rated at 160 horsepower. the following year, 1973, was the 4 barrel Cleveland 351's last year. The solid lifter cam had a little less duration (275 degrees) and more lift (0.491"). The heads were open chamber instead of the semi-hemispherical. All the heavy duty parts were kept but the compression went to 9.2:1. In 1972 the Cobra Jet motor was renamed HO for high output. The compression was 9.0:1 in both motors. The motor was the same as the stock 4 barrel 351 Cleveland. Same Cast iron intake as the 4 barrel Clevelandīy 1972 the Boss motors were gone. Spread bore Autolite carb with smaller primaries and larger secondaries Hydraulic cam slightly hotter than the stock 4 barrel motor with a little longer durationĭifferent heads - large ports & valves of the 4 barrel with the open design of the 2 barrel versionĩ.0:1 compression (Compared to the 10.7:1 in the 4 barrel motor) ![]() It featured: First offered in 1970, the 351 Cleveland motor came as a 2V and a 4V engine. The mid '71 Boss 351 (Cobra Jet) engine wasn't much of step up from the stock 4 barrel motor. New air quality standards put better smog controls on the motors, affecting the performance. High octane gasoline was getting harder to find. Insurance rates were going up on cars with these motors. It was during these years that the performance engines were under a lot of pressure. In mid May of 1971 Ford introduced a new version of the 351 Cleveland motor. The 1971 Boss 351 could be called Ford's greatest performance small block motor. The Boss motor option was called the Boss 351. The heads on the 351 4 barrel engine were very similar to the Boss 302 heads.In 1971, Ford offered only a two barrel version of the 302 motor. Even though the Cleveland 351 came from the small block family, few parts will interchange. The Cleveland 351 is between a small block and a big block. The Windsor motor is considered a small block. Ford offered two versions of the 351 engine, a Windsor 351 and a Cleveland 351. ![]() ![]() ![]()
![]() And there was no version 6 for Windows.) Version 4 was, however, the first version of Illustrator to support editing in preview mode, which did not appear in a Macintosh version until 5.0 in 1993. (Note that there were no versions 2.0 or 4.0 for the Macintosh-although, the second release for the Mac was titled Illustrator 88-the year of its release. Adobe photoshop elements 2021 mac download windows#The next Windows version, version 4.0, was widely criticized as being too similar to Illustrator 1.1 instead of the Macintosh 3.0 version, and certainly not the equal of Windows' most popular illustration package CorelDRAW. The first version of Illustrator for Windows, version 2.0, was released in early 1989 and flopped. ![]() In the early 1990s, Adobe released versions of Illustrator for Display PostScript licensees NeXT, Digital Equipment Corporation Ultrix, Silicon Graphics IRIX, and Sun Solaris platforms, but they were discontinued due to poor market acceptance. One window would show the work in progress and the other window would show a preview of the work in progress.Īlthough during its first decade Adobe developed Illustrator primarily for Macintosh, it sporadically supported other platforms. Adobe photoshop elements 2021 mac download software#Įarly versions of the software did not support working in preview mode and users needed to have two windows open on their desktop in order to have a live preview of their work. īyte in 1989 listed Illustrator 88 as among the "Distinction" winners of the Byte Awards, stating that with it Adobe had "pulled ahead" of previously industry-dominant competitor Aldus FreeHand. Illustrator 88, the product name for version 1.7, was released in 1988 and introduced many new tools and features. Early magazine advertisements (featured in graphic design trade magazines such as Communication Arts) referred to the product as "the Adobe Illustrator". Photoshop is primarily geared toward digital photo manipulation and photorealistic styles of computer illustration, while Illustrator provides results in the typesetting and logo graphic areas of design. Adobe Illustrator is the companion product of Adobe Photoshop. History Versions 1–1.6 (Illustrator 88) ĭevelopment of Adobe Illustrator for the Apple Macintosh began in 1985 (shipping in January 1987) as a commercialization of Adobe's in-house font development software and PostScript file format. ![]() |
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